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Linzer Messe – Collegium Vocale Gent (Merano)
A. Bruckner, Messe Nr. 2 in e-moll (Version 1882) A. Bruckner, Symphonie Nr. 2 in c-moll Collegium Vocale Gent Orchestre des Champs Elysées Philippe Herreweghe conductor In the Romantic era, a love of early music served as inspiration for many new works. As inspiration for his Mass in E Minor (1866), Bruckner turned to Palestrina, the favorite composer of the bishop of Linz, to whom the work is dedicated. Written for 8-part choir and wind instruments, this concert mass…
Mehr erfahren »Linzer Messe – Collegium Vocale Gent (Linz)
A. Bruckner, Messe Nr. 2 in e-moll (Version 1882) A. Bruckner, Symphonie Nr. 2 in c-moll Collegium Vocale Gent Orchestre des Champs Elysées Philippe Herreweghe conductor In the Romantic era, a love of early music served as inspiration for many new works. As inspiration for his Mass in E Minor (1866), Bruckner turned to Palestrina, the favorite composer of the bishop of Linz, to whom the work is dedicated. Written for 8-part choir and wind instruments, this concert mass…
Mehr erfahren »Linzer Messe – Collegium Vocale Gent (Essen)
A. Bruckner, Messe Nr. 2 in e-moll (Version 1882) A. Bruckner, Symphonie Nr. 2 in c-moll Collegium Vocale Gent Orchestre des Champs Elysées Philippe Herreweghe conductor In the Romantic era, a love of early music served as inspiration for many new works. As inspiration for his Mass in E Minor (1866), Bruckner turned to Palestrina, the favorite composer of the bishop of Linz, to whom the work is dedicated. Written for 8-part choir and wind instruments, this concert mass…
Mehr erfahren »Linzer Messe – Collegium Vocale Gent (Gent)
A. Bruckner, Messe Nr. 2 in e-moll (Version 1882) A. Bruckner, Symphonie Nr. 2 in c-moll Collegium Vocale Gent Orchestre des Champs Elysées Philippe Herreweghe conductor In the Romantic era, a love of early music served as inspiration for many new works. As inspiration for his Mass in E Minor (1866), Bruckner turned to Palestrina, the favorite composer of the bishop of Linz, to whom the work is dedicated. Written for 8-part choir and wind instruments, this concert mass…
Mehr erfahren »Kanon Pokajanen – Collegium Vocale Gent (Gent)
Arvo Pärt, Kanon Pokajanen Collegium Vocale Gent Kaspars Putnins conductor “Have mercy” and “Praise the Lord” ring out in the refrains of Arvo Pärt’s “Canon of Repentance” or Kanon Pokajanen. Written for the 750th anniversary of the monumental Cologne Cathedral, Pärt completed this impressive choral work in 1997 after two years of intensive labor. Kanon Pokajanen is a musical high point of Arvo Pärt’s tranquil tintinnabuli style, with which he taught us a different way of listening to music.…
Mehr erfahren »Kanon Pokajanen – Collegium Vocale Gent (Paris)
Arvo Pärt, Kanon Pokajanen Collegium Vocale Gent Kaspars Putnins conductor “Have mercy” and “Praise the Lord” ring out in the refrains of Arvo Pärt’s “Canon of Repentance” or Kanon Pokajanen. Written for the 750th anniversary of the monumental Cologne Cathedral, Pärt completed this impressive choral work in 1997 after two years of intensive labor. Kanon Pokajanen is a musical high point of Arvo Pärt’s tranquil tintinnabuli style, with which he taught us a different way of listening to music.…
Mehr erfahren »Kanon Pokajanen – Collegium Vocale Gent (Brügge)
Arvo Pärt, Kanon Pokajanen Collegium Vocale Gent Kaspars Putnins conductor “Have mercy” and “Praise the Lord” ring out in the refrains of Arvo Pärt’s “Canon of Repentance” or Kanon Pokajanen. Written for the 750th anniversary of the monumental Cologne Cathedral, Pärt completed this impressive choral work in 1997 after two years of intensive labor. Kanon Pokajanen is a musical high point of Arvo Pärt’s tranquil tintinnabuli style, with which he taught us a different way of listening to music.…
Mehr erfahren »Kanon Pokajanen – Collegium Vocale Gent (Antwerpen)
Arvo Pärt, Kanon Pokajanen Collegium Vocale Gent Kaspars Putnins conductor “Have mercy” and “Praise the Lord” ring out in the refrains of Arvo Pärt’s “Canon of Repentance” or Kanon Pokajanen. Written for the 750th anniversary of the monumental Cologne Cathedral, Pärt completed this impressive choral work in 1997 after two years of intensive labor. Kanon Pokajanen is a musical high point of Arvo Pärt’s tranquil tintinnabuli style, with which he taught us a different way of listening to music.…
Mehr erfahren »Kanon Pokajanen – Collegium Vocale Gent (Brüssel)
Arvo Pärt, Kanon Pokajanen Collegium Vocale Gent Kaspars Putnins conductor “Have mercy” and “Praise the Lord” ring out in the refrains of Arvo Pärt’s “Canon of Repentance” or Kanon Pokajanen. Written for the 750th anniversary of the monumental Cologne Cathedral, Pärt completed this impressive choral work in 1997 after two years of intensive labor. Kanon Pokajanen is a musical high point of Arvo Pärt’s tranquil tintinnabuli style, with which he taught us a different way of listening to music.…
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