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X-WR-CALNAME:Julia Spies
X-ORIGINAL-URL:https://www.juliamariaspies.de
X-WR-CALDESC:Veranstaltungen für Julia Spies
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220809T200000
DTEND;TZID=Europe/Berlin:20220809T200000
DTSTAMP:20260420T164203
CREATED:20220616T210126Z
LAST-MODIFIED:20220616T210126Z
UID:4420-1660075200-1660075200@www.juliamariaspies.de
SUMMARY:Große Messe - Collegium vocale Gent (Salzburg)
DESCRIPTION:Felix Mendelssohn [1809-1847]\nChoral “Mitten wir im Leben sind” for eight-part choir op. 23 No 3 \nWolfgang Amadeus Mozart [1756-1791]\nMissa in c K.427 “Grosse Messe” \nMari Eriksmoen soprano\nEva Zaïcik mezzo-soprano\nDavid Fischer tenor\nMikhail Timoshenko bass \nCollegium Vocale Gent choir\nCamerata Salzburg orchestra\nPhilippe Herreweghe conductor \nIn 1782 Wolfgang Amadeus Mozart married Constanze Weber without first obtaining the approval of his father Leopold. At that time he had been living in Vienna for some time as a composer and keyboard virtuoso. Wolfgang hoped to regain his father’s favour by promising to write a Mass for the archbishop of Salzburg. The orchestral and vocal forces and the proportions of this Grosse Messe in C minor K.427 would have undoubtedly resulted in a monumental missa solemnis\, but sadly it remained unfinished. Still\, this is Mozart at his best: full of masterly bravura\, carefree elegance and emotional depth.
URL:https://www.juliamariaspies.de/event/grosse-messe-collegium-vocale-gent-salzburg-2/
LOCATION:St. Peter\, St.-Peter-Bezirk 1\, Salzburg\, Salzburg\, 5020\, Österreich
CATEGORIES:Chor,Konzert,Oratorium
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220810T200000
DTEND;TZID=Europe/Berlin:20220810T200000
DTSTAMP:20260420T164203
CREATED:20220616T210118Z
LAST-MODIFIED:20220616T210305Z
UID:4421-1660161600-1660161600@www.juliamariaspies.de
SUMMARY:Große Messe - Collegium vocale Gent (Salzburg)
DESCRIPTION:Felix Mendelssohn [1809-1847]\nChoral “Mitten wir im Leben sind” for eight-part choir op. 23 No 3 \nWolfgang Amadeus Mozart [1756-1791]\nMissa in c K.427 “Grosse Messe” \nMari Eriksmoen soprano\nEva Zaïcik mezzo-soprano\nDavid Fischer tenor\nMikhail Timoshenko bass \nCollegium Vocale Gent choir\nCamerata Salzburg orchestra\nPhilippe Herreweghe conductor \nIn 1782 Wolfgang Amadeus Mozart married Constanze Weber without first obtaining the approval of his father Leopold. At that time he had been living in Vienna for some time as a composer and keyboard virtuoso. Wolfgang hoped to regain his father’s favour by promising to write a Mass for the archbishop of Salzburg. The orchestral and vocal forces and the proportions of this Grosse Messe in C minor K.427 would have undoubtedly resulted in a monumental missa solemnis\, but sadly it remained unfinished. Still\, this is Mozart at his best: full of masterly bravura\, carefree elegance and emotional depth.
URL:https://www.juliamariaspies.de/event/grosse-messe-collegium-vocale-gent-salzburg/
LOCATION:St. Peter\, St.-Peter-Bezirk 1\, Salzburg\, Salzburg\, 5020\, Österreich
CATEGORIES:Chor,Konzert,Oratorium
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220825T193000
DTEND;TZID=Europe/Berlin:20220825T193000
DTSTAMP:20260420T164203
CREATED:20220616T211152Z
LAST-MODIFIED:20220616T211152Z
UID:4427-1661455800-1661455800@www.juliamariaspies.de
SUMMARY:Die Schöpfung - Collegium vocale Gent (Amsterdam)
DESCRIPTION:Joseph Haydn [1732–1809]\, Die Schöpfung Hob.XXI:2 \nRobin Johansen soprano\nWerner Güra tenor\nFlorian Boesch bass \nCollegium Vocale Gent choir\nKoninklijk Concertgebouworkest orchestra\nPhilippe Herreweghe conductor \nJoseph Haydn had never been completely aware of just what an astonishing effect vernacular oratorios could have on audiences. After seeing several performances of Handel’s Messiah in London\, he changed his mind completely\, apparently having been deeply moved. Awestruck\, he started to write his first oratorio\, already past the age of sixty. Haydn pulled out all the stops for Die Schöpfung (The Creation)\, and surpassed himself as an independent and self-aware artist. The official premiere was on 19 March 1799 in Vienna’s Burgtheater\, and its success was nothing less than wild!
URL:https://www.juliamariaspies.de/event/die-schoepfung-collegium-vocale-gent-amsterdam/
LOCATION:Concertgebouw Amsterdam\, Concertgebouwplein 10\, Amsterdam\, 1071\, Niederlande
CATEGORIES:Chor,Konzert,Oratorium
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220829T193000
DTEND;TZID=Europe/Berlin:20220829T193000
DTSTAMP:20260420T164203
CREATED:20220616T211413Z
LAST-MODIFIED:20220616T211432Z
UID:4428-1661801400-1661801400@www.juliamariaspies.de
SUMMARY:Die Schöpfung - Collegium vocale Gent (Luzern)
DESCRIPTION:Joseph Haydn [1732–1809]\, Die Schöpfung Hob.XXI:2 \nRobin Johansen soprano\nWerner Güra tenor\nFlorian Boesch bass \nCollegium Vocale Gent choir\nKoninklijk Concertgebouworkest orchestra\nPhilippe Herreweghe conductor \nJoseph Haydn had never been completely aware of just what an astonishing effect vernacular oratorios could have on audiences. After seeing several performances of Handel’s Messiah in London\, he changed his mind completely\, apparently having been deeply moved. Awestruck\, he started to write his first oratorio\, already past the age of sixty. Haydn pulled out all the stops for Die Schöpfung (The Creation)\, and surpassed himself as an independent and self-aware artist. The official premiere was on 19 March 1799 in Vienna’s Burgtheater\, and its success was nothing less than wild!
URL:https://www.juliamariaspies.de/event/die-schoepfung-collegium-vocale-gent-luzern/
LOCATION:Kultur- und Kongresszentrum\, Europaplatz 1\, Luzern\, 6005\, Schweiz
CATEGORIES:Chor,Konzert,Oratorium
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20220830T200000
DTEND;TZID=Europe/Berlin:20220830T200000
DTSTAMP:20260420T164203
CREATED:20220616T211628Z
LAST-MODIFIED:20220616T211628Z
UID:4426-1661889600-1661889600@www.juliamariaspies.de
SUMMARY:Die Schöpfung - Collegium vocale Gent (Köln)
DESCRIPTION:Joseph Haydn [1732–1809]\, Die Schöpfung Hob.XXI:2 \nRobin Johansen soprano\nWerner Güra tenor\nFlorian Boesch bass \nCollegium Vocale Gent choir\nKoninklijk Concertgebouworkest orchestra\nPhilippe Herreweghe conductor \nJoseph Haydn had never been completely aware of just what an astonishing effect vernacular oratorios could have on audiences. After seeing several performances of Handel’s Messiah in London\, he changed his mind completely\, apparently having been deeply moved. Awestruck\, he started to write his first oratorio\, already past the age of sixty. Haydn pulled out all the stops for Die Schöpfung (The Creation)\, and surpassed himself as an independent and self-aware artist. The official premiere was on 19 March 1799 in Vienna’s Burgtheater\, and its success was nothing less than wild!
URL:https://www.juliamariaspies.de/event/die-schoepfung-collegium-vocale-gent-koeln/
LOCATION:Kölner Philharmonie\, Bischofsgartenstraße 1\, Köln\, 50667\, Deutschland
CATEGORIES:Chor,Konzert,Oratorium
END:VEVENT
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