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DTSTART;TZID=Europe/Berlin:20261112T200000
DTEND;TZID=Europe/Berlin:20261112T200000
DTSTAMP:20261021T073514
CREATED:20261019T085500Z
LAST-MODIFIED:20261019T085500Z
UID:5508-1794513600-1794513600@www.juliamariaspies.de
SUMMARY:Dvorak Requiem – Collegium vocale Gent (Antwerpen)
DESCRIPTION:Antonin Dvorak [1841–1904]\nRequiem\, op.89 \nSerafina Starke soprano\nSophie Harmsen alto\nBenjamin Hullett tenor\nJohannes Kammler bass \nCollegium Vocale Gent choir\nAntwerp Symphony Orchestra orchestra\nMaria van Nieukerken choir master\nPhilippe Herreweghe conductor \nIf there was one country where Antonin Dvorak saw his greatest successes\, it was certainly England. In 1890\, after performances of his immensely popular Stabat Mater\, several symphonies and two oratorios to Czech texts\, he started work on a new Latin composition commissioned by the Birmingham Festival\, the Requiem op. 89. Why Dvorak choose to write a requiem mass precisely at a time when life was so good to him is food for speculation. Its almost positive mood of comfort and acceptance\, with quiet grief outweighing any horror of the Day of Judgement\, is striking and a stark contrast to how his contemporaries such as Berlioz and Verdi viewed the requiem.\nSource: https://www.collegiumvocale.com/en/concert/dvorak-requiem-5/
URL:https://www.juliamariaspies.de/event/dvorak-requiem-collegium-vocale-gent-antwerpen-2/
LOCATION:Koningin Elizabethsaal\, Koningin Astridplein 26\, Antwerpen\, 2018\, Belgien
CATEGORIES:Chor,Konzert
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DTSTART;TZID=Europe/Berlin:20261113T200000
DTEND;TZID=Europe/Berlin:20261113T200000
DTSTAMP:20261021T073514
CREATED:20261019T085306Z
LAST-MODIFIED:20261019T085306Z
UID:5509-1794600000-1794600000@www.juliamariaspies.de
SUMMARY:Dvorak Requiem – Collegium vocale Gent (Gent)
DESCRIPTION:Antonin Dvorak [1841–1904]\nRequiem\, op.89 \nSerafina Starke soprano\nSophie Harmsen alto\nBenjamin Hullett tenor\nJohannes Kammler bass \nCollegium Vocale Gent choir\nAntwerp Symphony Orchestra orchestra\nMaria van Nieukerken choir master\nPhilippe Herreweghe conductor \nIf there was one country where Antonin Dvorak saw his greatest successes\, it was certainly England. In 1890\, after performances of his immensely popular Stabat Mater\, several symphonies and two oratorios to Czech texts\, he started work on a new Latin composition commissioned by the Birmingham Festival\, the Requiem op. 89. Why Dvorak choose to write a requiem mass precisely at a time when life was so good to him is food for speculation. Its almost positive mood of comfort and acceptance\, with quiet grief outweighing any horror of the Day of Judgement\, is striking and a stark contrast to how his contemporaries such as Berlioz and Verdi viewed the requiem.\nSource: https://www.collegiumvocale.com/en/concert/dvorak-requiem-5/
URL:https://www.juliamariaspies.de/event/dvorak-requiem-collegium-vocale-gent-gent-2/
LOCATION:Muziekcentrum De Bijloke\, Jozef Kluyskensstraat 2\, Gent\, 9000\, Belgien
CATEGORIES:Chor,Konzert
END:VEVENT
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