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X-ORIGINAL-URL:https://www.juliamariaspies.de
X-WR-CALDESC:Veranstaltungen für Julia Spies
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DTSTART:20250330T010000
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DTSTART;TZID=Europe/Berlin:20251107T193000
DTEND;TZID=Europe/Berlin:20251107T193000
DTSTAMP:20260502T001211
CREATED:20250924T090323Z
LAST-MODIFIED:20250924T090323Z
UID:5287-1762543800-1762543800@www.juliamariaspies.de
SUMMARY:Lobgesang – Collegium vocale Gent (Zürich)
DESCRIPTION:Felix Mendelssohn-Bartholdy [1809–1847] \nPsalm 42 “Wie der Hirsch schreit”\, op. 42\n“Lobgesang” \, Symphony-Cantata\, op. 52 \nGwendoline Blondeel soprano\nFlore van Meerssche soprano\nDavid Fischer tenor \nCollegium Vocale Gent choir\nKamerorchester Basel orchestra\nMaria van Nieukerken choir master\nPhilippe Herreweghe conductor \nLobgesang \nFelix Mendelssohn Bartholdy takes centre stage in this radiant\, spiritually charged programme. The evening opens with Psalm 42: “Wie der Hirsch schreiet”\, a deeply intimate reflection on longing and faith. It is followed by the monumental Lobgesang (Symphony No. 2)\, a powerful fusion of symphony and cantata composed in celebration of the invention of printing. Biblical texts and chorales lead the music from darkness into jubilant praise. Collegium performs Lobgesang for the first time\, joining forces with the Basel Chamber Orchestra in a collaboration that promises clarity\, expressive depth\, and a compelling reading of Mendelssohn’s visionary score.\nSource: collegiumvocale.com
URL:https://www.juliamariaspies.de/event/lobgesang-collegium-vocale-gent-zuerich/
LOCATION:Tonhalle Zürich\, Claridenstr. 2\, Zürich\, 8002\, Schweiz
CATEGORIES:Chor,Konzert,Oratorium
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20251108T193000
DTEND;TZID=Europe/Berlin:20251108T193000
DTSTAMP:20260502T001211
CREATED:20250924T090535Z
LAST-MODIFIED:20250924T090535Z
UID:5288-1762630200-1762630200@www.juliamariaspies.de
SUMMARY:Lobgesang – Collegium vocale Gent (Basel)
DESCRIPTION:Felix Mendelssohn-Bartholdy [1809–1847] \nPsalm 42 “Wie der Hirsch schreit”\, op. 42\n“Lobgesang” \, Symphony-Cantata\, op. 52 \nGwendoline Blondeel soprano\nFlore van Meerssche soprano\nDavid Fischer tenor \nCollegium Vocale Gent choir\nKamerorchester Basel orchestra\nMaria van Nieukerken choir master\nPhilippe Herreweghe conductor \nLobgesang \nFelix Mendelssohn Bartholdy takes centre stage in this radiant\, spiritually charged programme. The evening opens with Psalm 42: “Wie der Hirsch schreiet”\, a deeply intimate reflection on longing and faith. It is followed by the monumental Lobgesang (Symphony No. 2)\, a powerful fusion of symphony and cantata composed in celebration of the invention of printing. Biblical texts and chorales lead the music from darkness into jubilant praise. Collegium performs Lobgesang for the first time\, joining forces with the Basel Chamber Orchestra in a collaboration that promises clarity\, expressive depth\, and a compelling reading of Mendelssohn’s visionary score.\nSource: collegiumvocale.com
URL:https://www.juliamariaspies.de/event/lobgesang-collegium-vocale-gent-basel/
LOCATION:Stadtcasino Basel\, Konzertgasse 1\, Basel\, Basel\, 4051\, Schweiz
CATEGORIES:Chor,Konzert,Oratorium
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20251123T190000
DTEND;TZID=Europe/Berlin:20251123T190000
DTSTAMP:20260502T001211
CREATED:20250924T092717Z
LAST-MODIFIED:20251104T121020Z
UID:5308-1763924400-1763924400@www.juliamariaspies.de
SUMMARY:In Napoleon’s footsteps – Collegium vocale Gent (Essen)
DESCRIPTION:Ludwig van Beethoven [1770-1828]\nThird symphony op.55 ‘Eroica’ \nLuigi Cherubini [1760-1842]\nRequiem in C minor \nCollegium Vocale Gent choir\nOrchestre des Champs Elysées orchestra\nMaria van Nieukerken choir master\nPhilippe Herreweghe conductor \nLuigi Cherubini’s Requiem in C minor from 1816\, composed in memory of the executed King Louis XVI\, is considered one of his most moving works. Scored without soloists but with strikingly dark orchestration\, Cherubini creates a restrained\, solemn atmosphere that deeply impressed contemporaries such as Beethoven and Schumann. This masterful requiem\, in which classical form and emotional intensity converge\, is paired with Beethoven’s revolutionary Third Symphony – originally dedicated to Napoleon Bonaparte\, whom Beethoven first saw as a symbol of liberty and heroism\, but later rejected in disillusionment after Napoleon crowned himself emperor. The result is a fascinating confrontation between mourning for the old regime and the heroism of a new era – a musical reflection on Napoleon’s complex legacy.\nSource: wwww.collegiumvocale.com
URL:https://www.juliamariaspies.de/event/in-napoleons-footsteps-collegium-vocale-gent-essen/
LOCATION:Philharmonie Essen\, Huyssenallee 53\, Essen\, NRW\, 45128\, Deutschland
CATEGORIES:Chor,Konzert,Oratorium
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20251125T200000
DTEND;TZID=Europe/Berlin:20251125T200000
DTSTAMP:20260502T001211
CREATED:20251104T124153Z
LAST-MODIFIED:20251104T124153Z
UID:5316-1764100800-1764100800@www.juliamariaspies.de
SUMMARY:In Napoleon’s footsteps – Collegium vocale Gent (Hamburg)
DESCRIPTION:Ludwig van Beethoven [1770-1828]\nThird symphony op.55 ‘Eroica’ \nLuigi Cherubini [1760-1842]\nRequiem in C minor \nCollegium Vocale Gent choir\nOrchestre des Champs Elysées orchestra\nMaria van Nieukerken choir master\nPhilippe Herreweghe conductor \nLuigi Cherubini’s Requiem in C minor from 1816\, composed in memory of the executed King Louis XVI\, is considered one of his most moving works. Scored without soloists but with strikingly dark orchestration\, Cherubini creates a restrained\, solemn atmosphere that deeply impressed contemporaries such as Beethoven and Schumann. This masterful requiem\, in which classical form and emotional intensity converge\, is paired with Beethoven’s revolutionary Third Symphony – originally dedicated to Napoleon Bonaparte\, whom Beethoven first saw as a symbol of liberty and heroism\, but later rejected in disillusionment after Napoleon crowned himself emperor. The result is a fascinating confrontation between mourning for the old regime and the heroism of a new era – a musical reflection on Napoleon’s complex legacy.\nSource: wwww.collegiumvocale.com
URL:https://www.juliamariaspies.de/event/in-napoleons-footsteps-collegium-vocale-gent-hamburg/
LOCATION:Elbphilharmonie Hamburg\, Platz der deutschen Einheit 1\, Hamburg\, Hamburg\, 20457\, Deutschland
CATEGORIES:Chor,Konzert,Oratorium
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20251127T193000
DTEND;TZID=Europe/Berlin:20251127T193000
DTSTAMP:20260502T001211
CREATED:20251104T124249Z
LAST-MODIFIED:20251104T124304Z
UID:5317-1764271800-1764271800@www.juliamariaspies.de
SUMMARY:In Napoleon’s footsteps – Collegium vocale Gent (Bregenz)
DESCRIPTION:Ludwig van Beethoven [1770-1828]\nThird symphony op.55 ‘Eroica’ \nLuigi Cherubini [1760-1842]\nRequiem in C minor \nCollegium Vocale Gent choir\nOrchestre des Champs Elysées orchestra\nMaria van Nieukerken choir master\nPhilippe Herreweghe conductor \nLuigi Cherubini’s Requiem in C minor from 1816\, composed in memory of the executed King Louis XVI\, is considered one of his most moving works. Scored without soloists but with strikingly dark orchestration\, Cherubini creates a restrained\, solemn atmosphere that deeply impressed contemporaries such as Beethoven and Schumann. This masterful requiem\, in which classical form and emotional intensity converge\, is paired with Beethoven’s revolutionary Third Symphony – originally dedicated to Napoleon Bonaparte\, whom Beethoven first saw as a symbol of liberty and heroism\, but later rejected in disillusionment after Napoleon crowned himself emperor. The result is a fascinating confrontation between mourning for the old regime and the heroism of a new era – a musical reflection on Napoleon’s complex legacy.\nSource: wwww.collegiumvocale.com
URL:https://www.juliamariaspies.de/event/in-napoleons-footsteps-collegium-vocale-gent/
LOCATION:Festspielhaus Bregenz\, Platz der Wiener Symphoniker 1\, Bregenz\, 6900\, Österreich
CATEGORIES:Chor,Konzert,Oratorium
END:VEVENT
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