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X-WR-CALDESC:Veranstaltungen für Julia Spies
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DTSTART:20210328T010000
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DTSTART;TZID=Europe/Berlin:20211111T200000
DTEND;TZID=Europe/Berlin:20211112T200000
DTSTAMP:20260507T075527
CREATED:20211004T095946Z
LAST-MODIFIED:20211004T100151Z
UID:4281-1636660800-1636747200@www.juliamariaspies.de
SUMMARY:Dvorak Requiem - Collegium vocale Gent (Gent)
DESCRIPTION:Antonin Dvorak [1841–1904]\, Requiem\, op.89 \nIlse Eerens soprano\nSophie Harmsen alto\nIlker Arcayürek tenor\nFlorian Boesch bass \nCollegium Vocale Gent choir\nAntwerp Symphony Orchestra orchestra\nPhilippe Herreweghe conductor \nIf there was one country where Antonin Dvorak saw his greatest successes\, it was certainly England. In 1890\, after performances of his immensely popular Stabat Mater\, several symphonies and two oratorios to Czech texts\, he started work on a new Latin composition commissioned by the Birmingham Festival\, the Requiem op. 89. Why Dvorak choose to write a requiem mass precisely at a time when life was so good to him is food for speculation. Its almost positive mood of comfort and acceptance\, with quiet grief outweighing any horror of the Day of Judgement\, is striking and a stark contrast to how his contemporaries such as Berlioz and Verdi viewed the requiem.
URL:https://www.juliamariaspies.de/event/dvorak-requiem-collegium-vocale-gent-gent/
LOCATION:Muziekcentrum De Bijloke\, Jozef Kluyskensstraat 2\, Gent\, 9000\, Belgien
CATEGORIES:Chor,Konzert,Oratorium
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20211112T200000
DTEND;TZID=Europe/Berlin:20211112T200000
DTSTAMP:20260507T075527
CREATED:20211004T100230Z
LAST-MODIFIED:20211004T100230Z
UID:4282-1636747200-1636747200@www.juliamariaspies.de
SUMMARY:Dvorak Requiem - Collegium vocale Gent (Antwerpen)
DESCRIPTION:Antonin Dvorak [1841–1904]\, Requiem\, op.89 \nIlse Eerens soprano\nSophie Harmsen alto\nIlker Arcayürek tenor\nFlorian Boesch bass \nCollegium Vocale Gent choir\nAntwerp Symphony Orchestra orchestra\nPhilippe Herreweghe conductor \nIf there was one country where Antonin Dvorak saw his greatest successes\, it was certainly England. In 1890\, after performances of his immensely popular Stabat Mater\, several symphonies and two oratorios to Czech texts\, he started work on a new Latin composition commissioned by the Birmingham Festival\, the Requiem op. 89. Why Dvorak choose to write a requiem mass precisely at a time when life was so good to him is food for speculation. Its almost positive mood of comfort and acceptance\, with quiet grief outweighing any horror of the Day of Judgement\, is striking and a stark contrast to how his contemporaries such as Berlioz and Verdi viewed the requiem.
URL:https://www.juliamariaspies.de/event/dvorak-requiem-collegium-vocale-gent-antwerpen/
LOCATION:Koningin Elizabethsaal\, Koningin Astridplein 26\, Antwerpen\, 2018\, Belgien
CATEGORIES:Chor,Konzert,Oratorium
END:VEVENT
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