BEGIN:VCALENDAR
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PRODID:-//Julia Spies - ECPv6.0.12//NONSGML v1.0//EN
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X-ORIGINAL-URL:https://www.juliamariaspies.de
X-WR-CALDESC:Veranstaltungen für Julia Spies
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X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Europe/Berlin
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TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20240331T010000
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TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20241027T010000
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240201T203000
DTEND;TZID=Europe/Berlin:20240201T203000
DTSTAMP:20260428T214856
CREATED:20240125T072524Z
LAST-MODIFIED:20240125T072524Z
UID:4944-1706819400-1706819400@www.juliamariaspies.de
SUMMARY:Ein deutsches Requiem – Collegium vocale Gent (Poitiers)
DESCRIPTION:Franz Schubert (1797-1828)\, Sinfonie No. 8 – D.759 ‘Die Unvollendete’ \nJohannes Brahms (1833-1897)\, Ein deutsches Requiem op.45 \nRegula Mühlemann soprano\nFlorian Boesch baritone\nCollegium Vocale Gent choir\nOrchestre des Champs Elysées orchestra\nPhilippe Herreweghe conductor \nOpinions about Johannes Brahms’ ‘Ein deutsches Requiem’ were unanimously positive\, even at the first performances. The Viennese music critic Hanslick went a step further and wrote ‘Since Bach’s B Minor Mass and Beethoven’s Missa Solemnis\, nothing has been written of this kind that can come close to Brahms’ “deutsches Requiem” ’What connects these masterpieces besides their evident musical richness\, is the underlying message of overarching humanity. The religious context is a foundation\, but not a goal. ‘Ein deutsches Requiem’ is not a mournful piece\, but music for consolation; music for the living!\nSource: collegiumvocale.com
URL:https://www.juliamariaspies.de/event/ein-deutsches-requiem-collegium-vocale-gent-poitiers/
LOCATION:TAP Poitiers\, 1 Bd de Verdun\, Poitiers\, 86000\, Frankreich
CATEGORIES:Chor,Konzert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240202T200000
DTEND;TZID=Europe/Berlin:20240202T200000
DTSTAMP:20260428T214856
CREATED:20240125T072735Z
LAST-MODIFIED:20240125T072735Z
UID:4946-1706904000-1706904000@www.juliamariaspies.de
SUMMARY:Ein deutsches Requiem – Collegium vocale Gent (Paris)
DESCRIPTION:Franz Schubert (1797-1828)\, Sinfonie No. 8 – D.759 ‘Die Unvollendete’ \nJohannes Brahms (1833-1897)\, Ein deutsches Requiem op.45 \nRegula Mühlemann soprano\nFlorian Boesch baritone\nCollegium Vocale Gent choir\nOrchestre des Champs Elysées orchestra\nPhilippe Herreweghe conductor \nOpinions about Johannes Brahms’ ‘Ein deutsches Requiem’ were unanimously positive\, even at the first performances. The Viennese music critic Hanslick went a step further and wrote ‘Since Bach’s B Minor Mass and Beethoven’s Missa Solemnis\, nothing has been written of this kind that can come close to Brahms’ “deutsches Requiem” ’What connects these masterpieces besides their evident musical richness\, is the underlying message of overarching humanity. The religious context is a foundation\, but not a goal. ‘Ein deutsches Requiem’ is not a mournful piece\, but music for consolation; music for the living!\nSource: collegiumvocale.com
URL:https://www.juliamariaspies.de/event/ein-deutsches-requiem-collegium-vocale-gent-paris/
LOCATION:Philhamonie de Paris\, 221 Avenue Jean-Jaurès\, Paris\, 75019\, Frankreich
CATEGORIES:Chor,Konzert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240203T200000
DTEND;TZID=Europe/Berlin:20240203T200000
DTSTAMP:20260428T214856
CREATED:20240125T073110Z
LAST-MODIFIED:20240125T073110Z
UID:4947-1706990400-1706990400@www.juliamariaspies.de
SUMMARY:Ein deutsches Requiem – Collegium vocale Gent (Antwerpen)
DESCRIPTION:Franz Schubert (1797-1828)\, Sinfonie No. 8 – D.759 ‘Die Unvollendete’ \nJohannes Brahms (1833-1897)\, Ein deutsches Requiem op.45 \nRegula Mühlemann soprano\nFlorian Boesch baritone\nCollegium Vocale Gent choir\nOrchestre des Champs Elysées orchestra\nPhilippe Herreweghe conductor \nOpinions about Johannes Brahms’ ‘Ein deutsches Requiem’ were unanimously positive\, even at the first performances. The Viennese music critic Hanslick went a step further and wrote ‘Since Bach’s B Minor Mass and Beethoven’s Missa Solemnis\, nothing has been written of this kind that can come close to Brahms’ “deutsches Requiem” ’What connects these masterpieces besides their evident musical richness\, is the underlying message of overarching humanity. The religious context is a foundation\, but not a goal. ‘Ein deutsches Requiem’ is not a mournful piece\, but music for consolation; music for the living!\nSource: collegiumvocale.com
URL:https://www.juliamariaspies.de/event/ein-deutsches-requiem-collegium-vocale-gent-antwerpen-2/
LOCATION:DeSingel\, Desguinlei 25\, Antwerpen\, 2018\, Belgien
CATEGORIES:Chor,Konzert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240205T193000
DTEND;TZID=Europe/Berlin:20240205T193000
DTSTAMP:20260428T214856
CREATED:20240125T073152Z
LAST-MODIFIED:20240125T073152Z
UID:4948-1707161400-1707161400@www.juliamariaspies.de
SUMMARY:Ein deutsches Requiem – Collegium vocale Gent (Zürich)
DESCRIPTION:Franz Schubert (1797-1828)\, Sinfonie No. 8 – D.759 ‘Die Unvollendete’ \nJohannes Brahms (1833-1897)\, Ein deutsches Requiem op.45 \nRegula Mühlemann soprano\nFlorian Boesch baritone\nCollegium Vocale Gent choir\nOrchestre des Champs Elysées orchestra\nPhilippe Herreweghe conductor \nOpinions about Johannes Brahms’ ‘Ein deutsches Requiem’ were unanimously positive\, even at the first performances. The Viennese music critic Hanslick went a step further and wrote ‘Since Bach’s B Minor Mass and Beethoven’s Missa Solemnis\, nothing has been written of this kind that can come close to Brahms’ “deutsches Requiem” ’What connects these masterpieces besides their evident musical richness\, is the underlying message of overarching humanity. The religious context is a foundation\, but not a goal. ‘Ein deutsches Requiem’ is not a mournful piece\, but music for consolation; music for the living!\nSource: collegiumvocale.com
URL:https://www.juliamariaspies.de/event/ein-deutsches-requiem-collegium-vocale-gent-zuerich/
LOCATION:Tonhalle Zürich\, Claridenstr. 2\, Zürich\, 8002\, Schweiz
CATEGORIES:Chor,Konzert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240207T200000
DTEND;TZID=Europe/Berlin:20240207T200000
DTSTAMP:20260428T214856
CREATED:20240125T073230Z
LAST-MODIFIED:20240125T073230Z
UID:4945-1707336000-1707336000@www.juliamariaspies.de
SUMMARY:Ein deutsches Requiem – Collegium vocale Gent (Dortmund)
DESCRIPTION:Franz Schubert (1797-1828)\, Sinfonie No. 8 – D.759 ‘Die Unvollendete’ \nJohannes Brahms (1833-1897)\, Ein deutsches Requiem op.45 \nRegula Mühlemann soprano\nFlorian Boesch baritone\nCollegium Vocale Gent choir\nOrchestre des Champs Elysées orchestra\nPhilippe Herreweghe conductor \nOpinions about Johannes Brahms’ ‘Ein deutsches Requiem’ were unanimously positive\, even at the first performances. The Viennese music critic Hanslick went a step further and wrote ‘Since Bach’s B Minor Mass and Beethoven’s Missa Solemnis\, nothing has been written of this kind that can come close to Brahms’ “deutsches Requiem” ’What connects these masterpieces besides their evident musical richness\, is the underlying message of overarching humanity. The religious context is a foundation\, but not a goal. ‘Ein deutsches Requiem’ is not a mournful piece\, but music for consolation; music for the living!\nSource: collegiumvocale.com
URL:https://www.juliamariaspies.de/event/ein-deutsches-requiem-collegium-vocale-gent-dortmund/
LOCATION:Konzerthaus Dortmund\, Brückstr. 21\, Dortmund\, NRW\, 44135\, Deutschland
CATEGORIES:Chor,Konzert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20240218T160000
DTEND;TZID=Europe/Berlin:20240218T160000
DTSTAMP:20260428T214856
CREATED:20240125T074337Z
LAST-MODIFIED:20240125T074337Z
UID:4957-1708272000-1708272000@www.juliamariaspies.de
SUMMARY:Ecce homo – 5. Hungertuch-Konzert (Telgte)
DESCRIPTION:Die Leidensgeschichte Jesu ist eine Geschichte über Mensch und (Un-)Menschlichkeit. Das Programm „Ecce homo“ präsentiert Kompositionen\, die diese Tiefe ausleuchten: \nDie fünf Sonaten zum „schmerzhaften Rosenkranz“ für Violine und Basso Continuo von Heinrich Ignaz Biber (1644-1704) nehmen jeweils einen Aspekt des Leiden Jesu in den Fokus. Mit zu seiner Zeit drastischen musikalischen Mitteln und ungewöhnlichen Spieltechniken nähert sich Biber der Passionsgeschichte\, erzählt sie ohne Worte nach\, deutet sie aus und reflektiert sie. „Pianto della Madonna“ von Claudio Monteverdi (1567-1643) versucht\, dem Zuhörer einen Einblick in die Gedanken\, den Schmerz und die Trauer Marias\, der Mutter Jesu\, zu geben und stellt somit eine Art musikalische Pietà dar. \nAusführende: \nStefan Steinröhder – Barockviolinen\nJulia Spies – Mezzosopran\nLukas Oppermann – Theorbe\nJohannes Tebbe – Barockcello\nAlexander Toepper – Truhenorgel und Cembalo
URL:https://www.juliamariaspies.de/event/ecce-homo-5-hungertuch-konzert-telgte/
LOCATION:Probsteikirche St. Clemens\, Herrenstr. 1-2\, Telgte\, NRW\, 48291\, Deutschland
CATEGORIES:Alte Musik,Kammermusik,Konzert
END:VEVENT
END:VCALENDAR