BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Julia Spies - ECPv6.0.12//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:Julia Spies
X-ORIGINAL-URL:https://www.juliamariaspies.de
X-WR-CALDESC:Veranstaltungen für Julia Spies
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Europe/Berlin
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20210328T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20211031T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20211101T183000
DTEND;TZID=Europe/Berlin:20211101T183000
DTSTAMP:20260521T104247
CREATED:20211005T190333Z
LAST-MODIFIED:20211007T095909Z
UID:4314-1635791400-1635791400@www.juliamariaspies.de
SUMMARY:"...getröstet werden" - Bach und Delalande (Neuss)
DESCRIPTION:Sterben und Trost – mit Bach und Delalande  \nKantate BWV 131 „Aus der Tiefe“\,\nMissa g-Moll BWV 235\, Cantata „De profundis“ \nKammerchor Capella Quirina Neuss\nOrchester NORDRHEIN BAROQUE  \nElisa Rabanus\, Sopran I\nJulia Spies\, Sopran II\nAngela Froemer\, Alt (A)\nLeonhard Reso\, Tenor\nSebastian Klein\, Bass \nDirigent Joachim Neugart
URL:https://www.juliamariaspies.de/event/sterben-und-trost-bach-und-delalande-neuss/
LOCATION:St. Quirinus Neuss\, Münsterplatz\, Neuss\, NRW\, 41460\, Deutschland
CATEGORIES:Alte Musik,Kantate,Konzert
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20211107T170000
DTEND;TZID=Europe/Berlin:20211107T170000
DTSTAMP:20260521T104247
CREATED:20211004T095428Z
LAST-MODIFIED:20211004T095428Z
UID:4278-1636304400-1636304400@www.juliamariaspies.de
SUMMARY:Glaube Krise Hoffnung II - 48. Aachener Bachtage (Aachen)
DESCRIPTION:Bach-Kantaten I \n„Lobe den Herren\, den mächtigen König der Ehren“ BWV 137\n„Was mein Gott will\, das gscheh allzeit“ BWV 111\n„Ein feste Burg ist unser Gott“ BWV 80 \nHeike Heilmann – Sopran\nJulia Spies – Alt\nFlorian Cramer – Tenor\nJens Hamann – Bass \nEnsemble aus BachVokal\narcipelago – Ensemble für Alte Musik \nGeorg Hage – Leitung \nErbetener Kostenbeitrag: 25\,- € / 20\,- € (10\,- €)*\n*Auf dem Flyer und Plakat ist als ermäßigter Preis irrtümlich ein abweichender Kostenbeitrag angegeben \nVorverkauf ab 1. Oktober nur online. Wegen der etwas erweiterten Sitzplatzabstände steht nur ein reduziertes Platzkontingent zur Verfügung.
URL:https://www.juliamariaspies.de/event/glaube-krise-hoffnung-ii-48-aachener-bachtage-aachen/
LOCATION:St Michael Aachen\, Jesuitenstraße 6\, Aachen\, NRW\, 52062\, Deutschland
CATEGORIES:Alte Musik,Kantate,Konzert,Oratorium
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20211111T200000
DTEND;TZID=Europe/Berlin:20211112T200000
DTSTAMP:20260521T104247
CREATED:20211004T095946Z
LAST-MODIFIED:20211004T100151Z
UID:4281-1636660800-1636747200@www.juliamariaspies.de
SUMMARY:Dvorak Requiem - Collegium vocale Gent (Gent)
DESCRIPTION:Antonin Dvorak [1841–1904]\, Requiem\, op.89 \nIlse Eerens soprano\nSophie Harmsen alto\nIlker Arcayürek tenor\nFlorian Boesch bass \nCollegium Vocale Gent choir\nAntwerp Symphony Orchestra orchestra\nPhilippe Herreweghe conductor \nIf there was one country where Antonin Dvorak saw his greatest successes\, it was certainly England. In 1890\, after performances of his immensely popular Stabat Mater\, several symphonies and two oratorios to Czech texts\, he started work on a new Latin composition commissioned by the Birmingham Festival\, the Requiem op. 89. Why Dvorak choose to write a requiem mass precisely at a time when life was so good to him is food for speculation. Its almost positive mood of comfort and acceptance\, with quiet grief outweighing any horror of the Day of Judgement\, is striking and a stark contrast to how his contemporaries such as Berlioz and Verdi viewed the requiem.
URL:https://www.juliamariaspies.de/event/dvorak-requiem-collegium-vocale-gent-gent/
LOCATION:Muziekcentrum De Bijloke\, Jozef Kluyskensstraat 2\, Gent\, 9000\, Belgien
CATEGORIES:Chor,Konzert,Oratorium
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20211112T200000
DTEND;TZID=Europe/Berlin:20211112T200000
DTSTAMP:20260521T104247
CREATED:20211004T100230Z
LAST-MODIFIED:20211004T100230Z
UID:4282-1636747200-1636747200@www.juliamariaspies.de
SUMMARY:Dvorak Requiem - Collegium vocale Gent (Antwerpen)
DESCRIPTION:Antonin Dvorak [1841–1904]\, Requiem\, op.89 \nIlse Eerens soprano\nSophie Harmsen alto\nIlker Arcayürek tenor\nFlorian Boesch bass \nCollegium Vocale Gent choir\nAntwerp Symphony Orchestra orchestra\nPhilippe Herreweghe conductor \nIf there was one country where Antonin Dvorak saw his greatest successes\, it was certainly England. In 1890\, after performances of his immensely popular Stabat Mater\, several symphonies and two oratorios to Czech texts\, he started work on a new Latin composition commissioned by the Birmingham Festival\, the Requiem op. 89. Why Dvorak choose to write a requiem mass precisely at a time when life was so good to him is food for speculation. Its almost positive mood of comfort and acceptance\, with quiet grief outweighing any horror of the Day of Judgement\, is striking and a stark contrast to how his contemporaries such as Berlioz and Verdi viewed the requiem.
URL:https://www.juliamariaspies.de/event/dvorak-requiem-collegium-vocale-gent-antwerpen/
LOCATION:Koningin Elizabethsaal\, Koningin Astridplein 26\, Antwerpen\, 2018\, Belgien
CATEGORIES:Chor,Konzert,Oratorium
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20211115T200000
DTEND;TZID=Europe/Berlin:20211115T200000
DTSTAMP:20260521T104247
CREATED:20211004T100643Z
LAST-MODIFIED:20211004T113054Z
UID:4283-1637006400-1637006400@www.juliamariaspies.de
SUMMARY:Große Messe - Collegium vocale Gent (Genf)
DESCRIPTION:Wolfgang Amadeus Mozart [1756–1791] \nSymphony No.40\, K.550\nMass in C-minor K.427 “Grosse Messe” \nRegula Mühlemann soprano\nSophie Harmsen mezzo-soprano\nDavid Fischer tenor\nKrešimir Stražanac bass \nCollegium Vocale Gent choir\nOrchestre des Champs Elysées orchestra\nPhilippe Herreweghe conductor \nIn 1782 Wolfgang Amadeus Mozart married Constanze Weber without first obtaining the approval of his father Leopold. At that time he had been living in Vienna for some time as a composer and keyboard virtuoso. Wolfgang hoped to regain his father’s favour by promising to write a Mass for the archbishop of Salzburg. The orchestral and vocal forces and the proportions of this Grosse Messe in C minor K.427 would have undoubtedly resulted in a monumental missa solemnis\, but sadly it remained unfinished. Still\, this is Mozart at his best: full of masterly bravura\, carefree elegance and emotional depth.
URL:https://www.juliamariaspies.de/event/grosse-messe-collegium-vocale-gent-genf/
LOCATION:Victoria Hall\, Rue du Général-Dufour 14\, Genf\, 1204\, Schweiz
CATEGORIES:Chor,Konzert,Oratorium
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20211116T193000
DTEND;TZID=Europe/Berlin:20211116T193000
DTSTAMP:20260521T104247
CREATED:20211004T113329Z
LAST-MODIFIED:20211004T113329Z
UID:4294-1637091000-1637091000@www.juliamariaspies.de
SUMMARY:Große Messe - Collegium vocale Gent (Bern)
DESCRIPTION:Wolfgang Amadeus Mozart [1756–1791] \nSymphony No.40\, K.550\nMass in C-minor K.427 “Grosse Messe” \nRegula Mühlemann soprano\nSophie Harmsen mezzo-soprano\nDavid Fischer tenor\nKrešimir Stražanac bass \nCollegium Vocale Gent choir\nOrchestre des Champs Elysées orchestra\nPhilippe Herreweghe conductor \nIn 1782 Wolfgang Amadeus Mozart married Constanze Weber without first obtaining the approval of his father Leopold. At that time he had been living in Vienna for some time as a composer and keyboard virtuoso. Wolfgang hoped to regain his father’s favour by promising to write a Mass for the archbishop of Salzburg. The orchestral and vocal forces and the proportions of this Grosse Messe in C minor K.427 would have undoubtedly resulted in a monumental missa solemnis\, but sadly it remained unfinished. Still\, this is Mozart at his best: full of masterly bravura\, carefree elegance and emotional depth.
URL:https://www.juliamariaspies.de/event/grosse-messe-collegium-vocale-gent-bern/
LOCATION:Casino Bern\, Casinoplatz 1\, Bern\, 3011\, Schweiz
CATEGORIES:Chor,Konzert,Oratorium
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20211117T193000
DTEND;TZID=Europe/Berlin:20211117T193000
DTSTAMP:20260521T104247
CREATED:20211004T113605Z
LAST-MODIFIED:20211004T113605Z
UID:4295-1637177400-1637177400@www.juliamariaspies.de
SUMMARY:Große Messe - Collegium vocale Gent (Zürich)
DESCRIPTION:Wolfgang Amadeus Mozart [1756–1791] \nSymphony No.40\, K.550\nMass in C-minor K.427 “Grosse Messe” \nRegula Mühlemann soprano\nSophie Harmsen mezzo-soprano\nDavid Fischer tenor\nKrešimir Stražanac bass \nCollegium Vocale Gent choir\nOrchestre des Champs Elysées orchestra\nPhilippe Herreweghe conductor \nIn 1782 Wolfgang Amadeus Mozart married Constanze Weber without first obtaining the approval of his father Leopold. At that time he had been living in Vienna for some time as a composer and keyboard virtuoso. Wolfgang hoped to regain his father’s favour by promising to write a Mass for the archbishop of Salzburg. The orchestral and vocal forces and the proportions of this Grosse Messe in C minor K.427 would have undoubtedly resulted in a monumental missa solemnis\, but sadly it remained unfinished. Still\, this is Mozart at his best: full of masterly bravura\, carefree elegance and emotional depth.
URL:https://www.juliamariaspies.de/event/grosse-messe-collegium-vocale-gent-zuerich/
LOCATION:Tonhalle Zürich\, Claridenstr. 2\, Zürich\, 8002\, Schweiz
CATEGORIES:Chor,Konzert,Oratorium
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20211118T201500
DTEND;TZID=Europe/Berlin:20211118T201500
DTSTAMP:20260521T104247
CREATED:20211004T113835Z
LAST-MODIFIED:20211004T113835Z
UID:4296-1637266500-1637266500@www.juliamariaspies.de
SUMMARY:Große Messe - Collegium vocale Gent (Amsterdam)
DESCRIPTION:Wolfgang Amadeus Mozart [1756–1791] \nSymphony No.40\, K.550\nMass in C-minor K.427 “Grosse Messe” \nRegula Mühlemann soprano\nSophie Harmsen mezzo-soprano\nDavid Fischer tenor\nKrešimir Stražanac bass \nCollegium Vocale Gent choir\nOrchestre des Champs Elysées orchestra\nPhilippe Herreweghe conductor \nIn 1782 Wolfgang Amadeus Mozart married Constanze Weber without first obtaining the approval of his father Leopold. At that time he had been living in Vienna for some time as a composer and keyboard virtuoso. Wolfgang hoped to regain his father’s favour by promising to write a Mass for the archbishop of Salzburg. The orchestral and vocal forces and the proportions of this Grosse Messe in C minor K.427 would have undoubtedly resulted in a monumental missa solemnis\, but sadly it remained unfinished. Still\, this is Mozart at his best: full of masterly bravura\, carefree elegance and emotional depth.
URL:https://www.juliamariaspies.de/event/grosse-messe-collegium-vocale-gent-amsterdam/
LOCATION:Concertgebouw Amsterdam\, Concertgebouwplein 10\, Amsterdam\, 1071\, Niederlande
CATEGORIES:Chor,Konzert,Oratorium
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20211119T200000
DTEND;TZID=Europe/Berlin:20211119T200000
DTSTAMP:20260521T104247
CREATED:20211005T184158Z
LAST-MODIFIED:20211005T185419Z
UID:4297-1637352000-1637352000@www.juliamariaspies.de
SUMMARY:Große Messe - Collegium vocale Gent (Brügge)
DESCRIPTION:Wolfgang Amadeus Mozart [1756–1791] \nSymphony No.40\, K.550\nMass in C-minor K.427 “Grosse Messe” \nRegula Mühlemann soprano\nSophie Harmsen mezzo-soprano\nDavid Fischer tenor\nKrešimir Stražanac bass \nCollegium Vocale Gent choir\nOrchestre des Champs Elysées orchestra\nPhilippe Herreweghe conductor \nIn 1782 Wolfgang Amadeus Mozart married Constanze Weber without first obtaining the approval of his father Leopold. At that time he had been living in Vienna for some time as a composer and keyboard virtuoso. Wolfgang hoped to regain his father’s favour by promising to write a Mass for the archbishop of Salzburg. The orchestral and vocal forces and the proportions of this Grosse Messe in C minor K.427 would have undoubtedly resulted in a monumental missa solemnis\, but sadly it remained unfinished. Still\, this is Mozart at his best: full of masterly bravura\, carefree elegance and emotional depth.
URL:https://www.juliamariaspies.de/event/grosse-messe-collegium-vocale-gent-bruegge/
LOCATION:Concertgebouw Brugge\, 't Zand\, 34\, Brugge\, 8000\, Belgien
CATEGORIES:Chor,Konzert,Oratorium
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20211121T200000
DTEND;TZID=Europe/Berlin:20211121T200000
DTSTAMP:20260521T104247
CREATED:20211005T184252Z
LAST-MODIFIED:20211005T185600Z
UID:4289-1637524800-1637524800@www.juliamariaspies.de
SUMMARY:Große Messe - Collegium vocale Gent (Hamburg)
DESCRIPTION:Wolfgang Amadeus Mozart [1756–1791] \nSymphony No.40\, K.550\nMass in C-minor K.427 “Grosse Messe” \nRegula Mühlemann soprano\nSophie Harmsen mezzo-soprano\nDavid Fischer tenor\nKrešimir Stražanac bass \nCollegium Vocale Gent choir\nOrchestre des Champs Elysées orchestra\nPhilippe Herreweghe conductor \nIn 1782 Wolfgang Amadeus Mozart married Constanze Weber without first obtaining the approval of his father Leopold. At that time he had been living in Vienna for some time as a composer and keyboard virtuoso. Wolfgang hoped to regain his father’s favour by promising to write a Mass for the archbishop of Salzburg. The orchestral and vocal forces and the proportions of this Grosse Messe in C minor K.427 would have undoubtedly resulted in a monumental missa solemnis\, but sadly it remained unfinished. Still\, this is Mozart at his best: full of masterly bravura\, carefree elegance and emotional depth.
URL:https://www.juliamariaspies.de/event/grosse-messe-collegium-vocale-gent-hamburg/
LOCATION:Elbphilharmonie Hamburg\, Platz der deutschen Einheit 1\, Hamburg\, Hamburg\, 20457\, Deutschland
CATEGORIES:Chor,Konzert,Oratorium
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20211123T193000
DTEND;TZID=Europe/Berlin:20211123T193000
DTSTAMP:20260521T104247
CREATED:20211005T184459Z
LAST-MODIFIED:20211005T185712Z
UID:4290-1637695800-1637695800@www.juliamariaspies.de
SUMMARY:Große Messe - Collegium vocale Gent (Poitiers)
DESCRIPTION:Wolfgang Amadeus Mozart [1756–1791] \nSymphony No.40\, K.550\nMass in C-minor K.427 “Grosse Messe” \nRegula Mühlemann soprano\nSophie Harmsen mezzo-soprano\nDavid Fischer tenor\nKrešimir Stražanac bass \nCollegium Vocale Gent choir\nOrchestre des Champs Elysées orchestra\nPhilippe Herreweghe conductor \nIn 1782 Wolfgang Amadeus Mozart married Constanze Weber without first obtaining the approval of his father Leopold. At that time he had been living in Vienna for some time as a composer and keyboard virtuoso. Wolfgang hoped to regain his father’s favour by promising to write a Mass for the archbishop of Salzburg. The orchestral and vocal forces and the proportions of this Grosse Messe in C minor K.427 would have undoubtedly resulted in a monumental missa solemnis\, but sadly it remained unfinished. Still\, this is Mozart at his best: full of masterly bravura\, carefree elegance and emotional depth.
URL:https://www.juliamariaspies.de/event/grosse-messe-collegium-vocale-gent-poitiers/
LOCATION:TAP Poitiers\, 1 Bd de Verdun\, Poitiers\, 86000\, Frankreich
CATEGORIES:Chor,Konzert,Oratorium
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20211125T193000
DTEND;TZID=Europe/Berlin:20211125T193000
DTSTAMP:20260521T104247
CREATED:20211005T184659Z
LAST-MODIFIED:20211005T185819Z
UID:4291-1637868600-1637868600@www.juliamariaspies.de
SUMMARY:Große Messe - Collegium vocale Gent (Bregenz)
DESCRIPTION:Wolfgang Amadeus Mozart [1756–1791] \nSymphony No.40\, K.550\nMass in C-minor K.427 “Grosse Messe” \nRegula Mühlemann soprano\nSophie Harmsen mezzo-soprano\nDavid Fischer tenor\nKrešimir Stražanac bass \nCollegium Vocale Gent choir\nOrchestre des Champs Elysées orchestra\nPhilippe Herreweghe conductor \nIn 1782 Wolfgang Amadeus Mozart married Constanze Weber without first obtaining the approval of his father Leopold. At that time he had been living in Vienna for some time as a composer and keyboard virtuoso. Wolfgang hoped to regain his father’s favour by promising to write a Mass for the archbishop of Salzburg. The orchestral and vocal forces and the proportions of this Grosse Messe in C minor K.427 would have undoubtedly resulted in a monumental missa solemnis\, but sadly it remained unfinished. Still\, this is Mozart at his best: full of masterly bravura\, carefree elegance and emotional depth.
URL:https://www.juliamariaspies.de/event/grosse-messe-collegium-vocale-gent-bregenz/
LOCATION:Festspielhaus Bregenz\, Platz der Wiener Symphoniker 1\, Bregenz\, 6900\, Österreich
CATEGORIES:Chor,Konzert,Oratorium
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20211126T201500
DTEND;TZID=Europe/Berlin:20211126T201500
DTSTAMP:20260521T104247
CREATED:20211005T184851Z
LAST-MODIFIED:20211005T185126Z
UID:4292-1637957700-1637957700@www.juliamariaspies.de
SUMMARY:Große Messe - Collegium vocale Gent (Dortmund)
DESCRIPTION:Wolfgang Amadeus Mozart [1756–1791] \nSymphony No.40\, K.550\nMass in C-minor K.427 “Grosse Messe” \nRegula Mühlemann soprano\nSophie Harmsen mezzo-soprano\nDavid Fischer tenor\nKrešimir Stražanac bass \nCollegium Vocale Gent choir\nOrchestre des Champs Elysées orchestra\nPhilippe Herreweghe conductor \nIn 1782 Wolfgang Amadeus Mozart married Constanze Weber without first obtaining the approval of his father Leopold. At that time he had been living in Vienna for some time as a composer and keyboard virtuoso. Wolfgang hoped to regain his father’s favour by promising to write a Mass for the archbishop of Salzburg. The orchestral and vocal forces and the proportions of this Grosse Messe in C minor K.427 would have undoubtedly resulted in a monumental missa solemnis\, but sadly it remained unfinished. Still\, this is Mozart at his best: full of masterly bravura\, carefree elegance and emotional depth.
URL:https://www.juliamariaspies.de/event/grosse-messe-collegium-vocale-gent-dortmund/
LOCATION:Konzerthaus Dortmund\, Brückstr. 21\, Dortmund\, NRW\, 44135\, Deutschland
CATEGORIES:Chor,Konzert,Oratorium
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20211128T183000
DTEND;TZID=Europe/Berlin:20211128T183000
DTSTAMP:20260521T104247
CREATED:20211005T190756Z
LAST-MODIFIED:20211005T190756Z
UID:4318-1638124200-1638124200@www.juliamariaspies.de
SUMMARY:Musikalisches Abendgebet (Eberbach)
DESCRIPTION:MUSIKALISCHES ABENDGEBET \nzum Ersten Advent mit geistlicher Vokalmusik u.a. von Hammerschmidt\, Mendelssohn und Wilson \nLisa Stöhr\, Sopran\nMarie Köberlein\, Sopran\nJulia Spies\, Mezzosopran \nKatholische Kantorei\nSeverin Zöhrer\, Leitung
URL:https://www.juliamariaspies.de/event/musikalisches-abendgebet-eberbach/
LOCATION:St. Johannes Nepomuk Eberbach\, Odenwaldstraße 18\, Eberbach (Neckar)\, BW\, 69412\, Deutschland
CATEGORIES:Gesang a capella,Musikalische Andacht
END:VEVENT
END:VCALENDAR